Geodesic
An Analysis of Vermeer's Perspective in Composition
Journal for geometry and graphics, Tome 25 (2021) no. 1, pp. 139-154 Cet article a éte moissonné depuis la source Heldermann Verlag

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In this study, the relationship between the works of Vermeer, camera obscura light images and frame composition is considered. It has been suggested that Vermeer may have traced camera obscura images to create his paintings. Although it is unlikely that he could have traced the entire image at once, similar to scanning, it is possible that Vermeer may have taken models, motifs, or relative sizes of different objects from these light images and incorporated them directly into his compositions.
Classification : 00A66, 51N05
Mots-clés : Modeling theory, 17th century Dutch painting, perspective painting 
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     author = {N. Sato },
     title = {An {Analysis} of {Vermeer's} {Perspective} in {Composition}},
     journal = {Journal for geometry and graphics},
     pages = {139--154},
     year = {2021},
     volume = {25},
     number = {1},
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N. Sato . An Analysis of Vermeer's Perspective in Composition. Journal for geometry and graphics, Tome 25 (2021) no. 1, pp. 139-154. http://geodesic.mathdoc.fr/item/JGG_2021_25_1_JGG_2021_25_1_a11/